NAS Interview: “Battle for Brooklyn” Filmmaker
In anticipation of Wednesday’s Court of Appeals hearing in Albany, where opponents of the Atlantic Yards development will argue about the proposed use of eminent domain for the building of the Nets new home in Brooklyn, NetsAreScorching has spoken to filmmaker Michael Galinsky, who is working on a documentary about the Atlantic Yards process entitled “Battle for Brooklyn.”
Galinksky, who resides in the Clinton Hill section of Brooklyn, has been working on the film for nearly six years now, amassing more than 300 hours of footage. One of the focal points of his film is Daniel Goldstein of Develop Don’t Destroy Brooklyn, whose Pacific Street apartment sits where the Nets’ Barclays Arena would be built.
We’ve included the “Battle for Brooklyn” trailer for your viewing pleasure. For more information about Galinsky’s work, please visit his site.
NAS: Given that the eminent domain hearing in Albany is considered by some to be a last legal stand for opponents to the Atlantic Yards development, do you plan to capture any footage for your film that day? If so, what’s your planned filming approach for the day?
Michael Galinksy: We will certainly be shooting on the day of the hearing. While it’s the last stand for the opponents to fight the eminent domain issue, I think that there are several other law suits in the works regarding the process.
Our film is a character-driven, verite documentary that mostly follows a few of the people fighting the project, so we’ll want to get their take on the situation. The idea of a verite documentary film gets confusing because most people are used to Michael Moore or old school PBS docs. We aren’t journalists and we’re not activists either. The idea of this film isn’t to get to the bottom of everything that’s happened along the way but instead to follow characters as they deal with some of the situations that they face. Not even Norman Oder could put together a book that covers everything and is still readable. As such, we have to be very selective in what scenes to focus on. So the short answer is: yes we’ll be shooting, but who knows what will end up in the film. With over 350 hours of footage shot, only about 0.5% of what we shot has any chance of making it in to a 90 minute film. Read more…


